Quarta-feira, 19 Abril, 2017

TOM WAITS / PAUL MAHER JR. Tom Waits on Tom Waits: Interviews And Encounters LIVRO

€ 6,50 LIVRO Aurum

paperback, 468 páginas, 13 x 20 cm.

“Tom Waits may just be what the Daily Telegraph calls him: ‘the greatest entertainer on Planet Earth.’ He is also a shape-shifter who, over a span of almost four decades, has restlessly transformed his song-writing and persona not to suit the times but his own whims. Along with Bob Dylan, he stands as one of American music’s last great mysteries. Hundreds of journalists have sought to crack the Waits code, but few have come close to piercing the myths that shroud him. Tom Waits on Tom Waits is a selection of over fifty of his most intriguing interviews, the majority of which have never been collected in book form before. In each Waits shares something truly unique, delivering prose as crafted, poetic, potent and haunting as his best lyrics. Taken together they present a de facto autobiography of a notoriously guarded artist.”


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Quarta-feira, 15 Fevereiro, 2017

DAVID BRUN-LAMBERT Nina Simone: The Biography LIVRO

€ 6,95 LIVRO Aurum Press

paperback, 356 páginas, 13 x 19,8 cm.

“This first-ever biography of Nina Simone caused quite a stir among reviewers. “A chastening read”, said the Sunday Times; “Simone’s story is as harrowing as it is remarkable”, said the Yorkshire Post. No-one was quite prepared for the life story of the singer of such enduringly uplifting classics as “My Baby Just Cares for Me” turning out to be such a chilling litany of mental disorder, vile temper, terrible abuse at the hands of bad men, and a self-destructively hostile attitude all too often to the acolytes who came to see her perform.
Brun-Lambert shows how Simone saw herself as a lifelong victim of racism, right from being turned down by the prestigious music school that would have enabled her to become a classical musician. Undiagnosed bipolar disorder, he argues, added to her torment. But it was her unforgettable voice, and, at best, her utterly magnetic performances, that kept people coming to a sold-out Ronnie Scott’s every time she was in residency, and the way she sang her hardest songs like “Mississippi Goddam”with such fire and fury that they became anthems of political change, and means so many people can only be curious about the real life of the mecurial woman behind the piano.”


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